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Planning

The case for an unplugged ceremony

Jake McDonald5 min read

A guest who steps into the aisle with a phone ends up in your film, standing between you and the moment you hired us to record. We can shoot around a lot. We can't shoot around an iPad at the altar.

What the camera sees

Your ceremony has maybe forty minutes of footage in it, and the walk down the aisle is the single most-watched shot in every film we deliver. When a row of guests leans out with phones raised, the shot survives, but the feeling doesn't. You get screens where the faces should be, and the back of your grandmother's phone case instead of her face as you walk.

The photos your guests take will live in a group chat for a week. Your film is forever.
The shot from the back rowPhones in the aisle

How to ask nicely

You don't need to police anyone. Three light touches usually cover it:

The unplugged versionEvery face, present

Where phones are welcome

Everywhere else. The reception is better with them: we love the shots of guests filming the first dance, and the flash from a disposable camera on the dance floor is exactly the 90s energy we chase. Keep the ceremony clear and let the reception be as loud and photographed as it wants.

Ask us for our unplugged sign wording before your day. It's a two-line template couples steal constantly, and we're happy about it.
Jake McDonaldFounder & lead cinematographer, Moonlit

Enough reading

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