The journal
Timelines, venues, light, and the occasional strong opinion about the last hour of the night.
Real Austin numbers, what drives them, and where the money actually goes.
They record different things. What each one actually gives you, and what happens if you skip one.
Twelve rooms and fields we know well, and what each one does to the footage.
What eight hours of coverage actually looks like, and where the film is won or lost.
The questions that separate a good booking from an expensive surprise.
Open light and long horizons, or warm rooms and a skyline. What each gives your film.
What phones in the aisle do to your film, and how to ask guests nicely.
The light leaves early in Texas winter. How to plan your timeline around it.
Notes on Austin's grandest room: where the light falls and when to sneak away.
The case for and against, from someone who has filmed hundreds of both.
How we make sure every word of the vows survives the day.
A cartridge holds three minutes. Where the money actually goes.
Enough reading
enough reading,Send your date and venue. You will hear back within a day.
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